Suddenly the vision of old Chelsea Church rose up before her with its little motherly old pew-opener. She had so often been meaning to go and see her again, but something had always interfered. She hunted through her drawers and found a comparatively sober-coloured shawl, and tucked it under her cloak. The service was just commencing when she reached the church. Mary Stopperton showed her into a seat and evidently remembered her. “I want to see you afterwards,” she whispered; and Mary Stopperton had smiled and nodded. The service, with its need for being continually upon the move, bored her; she was not in the mood for it. And the sermon, preached by a young curate who had not yet got over his Oxford drawl, was uninteresting. She had half hoped that the wheezy old clergyman, who had preached about Calvary on the evening she had first visited the church, would be there again. She wondered what had become of him, and if it were really a fact that she had known him when she was a child, or only her fancy. It was strange how vividly her memory of him seemed to pervade the little church. She had the feeling he was watching her from the shadows. She waited for Mary in the vestibule, and gave her the shawl, making her swear on the big key of the church door that she would wear it herself and not give it away. The little old pew-opener’s pink and white face flushed with delight as she took it, and the thin, work-worn hands fingered it admiringly. “But I may lend it?” she pleaded. He raised his eyes to hers. The shadow that, to her fancy, had always rested there seemed to have departed. A light had come to them.!

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “And don’t you take any notice of me,” further explained the good woman, “when I seem to be in opposition, like. I chip in now and then on purpose, just to keep the ball rolling. It stirs him up, a bit of contradictoriness. You have to live with a man before you understand him.”

Mary Greyson called on her in the morning, while she was still at breakfast. She had come from seeing Francis off by an early train from Euston. He had sent Joan a ring. The question troubled her. It struck her with a pang of self-reproach that she had always been indifferent to her mother’s illness, regarding it as more or less imaginary. “It was mental rather than physical, I think,” she answered. “I never knew what brought it about.” She wanted votes for women. But she wanted them clean—won without dishonour. These “monkey tricks”—this apish fury and impatience! Suppose it did hasten by a few months, more or less, the coming of the inevitable. Suppose, by unlawful methods, one could succeed in dragging a reform a little prematurely from the womb of time, did not one endanger the child’s health? Of what value was woman’s influence on public affairs going to be, if she was to boast that she had won the right to exercise it by unscrupulousness and brutality?